By Jay Heinrichs, author of Thank You for Arguing, Third Edition (Three Rivers Press, July 2017).
Adding rhetoric to a literature syllabus can spark something surprising in students.
Few people can say that John Quincy Adams changed their lives. Those who can are wise to keep it to themselves. Friends tell me I should also stop prating about my passion for rhetoric, the 3,000-year-old art of persuasion.
John Quincy Adams changed my life by introducing me to rhetoric. Continue reading
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In The Fix, Jonathan Tepperman, managing editor of Foreign Affairs magazine, identifies ten pervasive and seemingly impossible challenges—including immigration reform, economic stagnation, political gridlock, corruption, and Islamist extremism—and shows that each has a solution, and not merely a hypothetical one. Meticulously researched and deeply reported, Tepperman has traveled the world to write this book, conducting more than a hundred interviews with the people behind the policies.
“An indispensable handbook. . . . Smart and agile. . . . The timing of this book could not be better. . . . Tepperman goes into impressive detail in each case study and delivers assessments in clear, pared-down prose.” —Michael Hirsh, The New York Times Book Review
For the full review by Michael Hirsch, click here
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By Sara Nović, author of Girl at War: A Novel (Random House Trade Paperbacks, March 2016)
Recently my first novel became an audiobook to which I cannot listen. This is not a complaint, exactly; to write a book someone wants to publish in any format is a writer’s dream. But to hold some disc that contains a thing I made, transformed into a thing I can no longer understand, is a quandary few writers experience. To be a Deaf writer is to make a certain kind of shortlist.
Growing up with a progressive hearing loss, I was educated in spoken English alongside my hearing peers; when that became too difficult I learned American Sign Language (ASL) and had interpreters in class. Still, the linguistic modality in which I am most fluent is written English, because in it I have the most access and the most control. When I’m writing I need not be translated for a hearing audience. When I’m reading a book sounds and words are clear; paper never covers its mouth or turns its head. Continue reading